Description:
A Very Fine French 19th Century Royal Louis XVI Style Three-Piece Sèvres Gilt and Cobalt-Blue Ground Ormolu-Mounted Porcelain Urn and Clock Garniture Set. The finely decorated figurative Exhibition quality urns, modeled after a model of Jean-Claude Chambellan Duplessis the Elder (about 1695–1774), Designer- Sèvres ‘Vase Grec à Ornements’, with coronet-form covers; the center vase with a cameo portrait of Louis XVI above a circular clock-face with Arabic numerals within floral wreaths and framed with an ormolu ribbons and wreath mount, with swagged gilt-procelain garlands ending on ribbons; the sides with cameo portraits of Marie Antoinette and the back with a cameo Coat-of-Arms for Louis XVI. The matching form side vases with swagged gilt-porcelain garlands and finely painted roundel cameos of the Court of Louis XVI and his family. All vases with a fluted neck, lower body and socle enriched with gilt foil and leaves. Bearing the Sèvres under-glaze markings. Circa: Sèvres, France, 1880-1890.
Artist/Maker: Style of Sèvres (French, founded 1738)
Clock Vase Height: 23 1/2 inches (59.7 cm)
Clock Vase Width: 10 1/2 inches (26.7 cm)
Clock Vase Depth: 9 3/8 inches (23.8 cm)
Side Vases Height: 22 inches (55.9 cm)
Side Vases Diameter: 9 inches (22.9 cm)
Ref.: A2852
The Manufacture nationale de Sèvres (pronounced [manyfaktyʁ nɑsjɔnal də sɛvʁ]) is one of the principal European porcelain factories. It is located in Sèvres, Hauts-de-Seine, France. It is the continuation of Vincennes porcelain, founded in 1740, which moved to Sèvres in 1756. It has been owned by the French crown or government since 1759.
Its production is still largely based on the creation of contemporary objects today. It became part of the Cité de la céramique in 2010 with the Musée national de céramique, and since 2012 with the Musée national Adrien Dubouché in Limoges.
In 1740, the Manufacture de Vincennes was founded, thanks to the support of Louis XV's polish born wife, Queen Marie Leszczyńska who was noted as an avid porcelain collector in her early years as Queen. According to the memoirs of the Duke de Luynes it was Queen Marie who originally promoted porcelain in Versailles by having regular commissions such as the first colored porcelain flowers presented to her by the company in her royal apartments in April 1748 in order to compete with the Chantilly porcelain and Meissen Porcelain in Germany. Louis XV's mistress Madame de Pompadour then followed and became a patron in 1751. By 1756, the manufactury was moved to a building in Sèvres, built at the initiative of Madame de Pompadour, near her château de Bellevue.
One hundred thirty metres long and four storeys high, the building was erected between 1753 and 1756 by the architect Laurent Lindet on the site of a farm called "de la Guyarde." There was a central pavilion surmounted by a pediment with a clock from the old royal glass-makers on the fourth level, with two long wings terminating in corner pavilions at each end. In front of the pavilion was a "public" courtyard, enclosed by a wrought-iron fence. This front area was decorated twice a month in order to hold parties for visitors.
The ground floor of the building contained clay reserves, books and storerooms of raw materials. The first floor contained the workshops of the moulders, plasterers, sculptors, engravers and the ovens. On the second floor were the sculptors, turners, repairers and packers. Finally, the painters, gilders and makers of animals and figures worked in the loft
Jean-Claude Chambellan Duplessis served as artistic director of the Vincennes porcelain manufactory and its successor at Sèvres from 1748 to his death in 1774. The manufactory was bought by the King in 1759, although Madame de Pompadour was allowed effective free rein to oversee it. A period of superb quality in both design and production followed, creating much of the enduring reputation of French porcelain. The light-hearted Rococo was given a more serious air, often by restricting it to the painting, rather than the porcelain shape.
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