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A Monumental Museum Quality Pair of French 19th/20th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whimsical playful children (Putti) holding a flaming urn, by René Rozet (French, 1858-1939) in the style of Claude Michel Clodion (French, 1738 - 1814) and in the manner of Alfred Emmanuel Louis Beurdeley (1847-1919). One base is signed and dated: R. Rozet, 1894, the other signed: R. Rozet. Each raised on an later octagonal black marble pedestal. Circa: Paris, 1894. Ref.: A1279
Gaston Leroux (French, 1854-1942) A Very Fine French 19th Century Polychromed and Patinated Bronze Sculpture of "Aida" Resting on a Sphinx, her legs crossed and holding a gilt-bronze tambourine, after the model by Gaston Veuvenot Leroux "Aida, A Femme Au Tambourin Assise Sur Une Tete De Sphinx". Signed: Gaston Leroux, Paris. Circa: Paris, 1890. Ref.: A1935
A Very Fine and Monumental French 19th Century Patinated Bronze Group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison. Circa: Paris, 1870-1880. Ref.: A2027
A Very Fine and Monumental Pair of French 19th Century Patinated Bronze Figural Torchere Sculptures Titled "La Nuit" Attributed to Albert Carrier-Belleuse (French, 1824-1887) on a Brêche Violette Marble Stand, the very large and extremely rare pair of bronze sculptures, each depicting a life-size nude maiden wrapped with a robe around her waist and over her head, with one arm raised lifting the robe away from her face, both sculptures raised and fitted with a tapered columnar marble stand and topped with a marble plinth. Circa: Paris, 1880. Ref.: A1949
A Superb Quality and Palatial Pair of French 19th Century Cast-Iron Sculptures - Torcheres of Native American Indians Titled "L’ Indienne" Designed by Jules Salmson and Cast by Le Fonderies d'Art du Val d'Osne, each standing figure representing a standing male and a female Native American Indian scantily dressed in their native robes, one arm raised holding a light-torch with an opaline glass globe, both wearing earrings, seashell necklaces and arm-braces, both raised on cylindrical cast-iron stand. Signed/Cast on each pedestal: “VAL D’OSNE”. (Electrified). Circa: Paris, 1870-1880. Ref.: A1934
A Large and Impressive French 19th Century Life-Size Bust of Othello, the North African Moor of Venice character in the 1603 play written by William Shakespeare (1564-1616), after the model by Gaston Veuvenot Leroux (French, 1854-1942). The imposing figure of a black bearded male Moor, posing with a profile gaze, wearing a Fez hat and a loosely draped attire, raised on a square plinth with a plaque that reads 'Othello'. Signed and dated on left shoulder: 'Gaston Leroux, 1887'. Circa 1887. Note: This model of Othello by Leroux was first presented at the Paris Salon in 1888. Ref.: A1966 - Lot 11162
A Monumental French 19th Century Patinated and Parcel Gilt Cast-Iron Bust of 'Head from a Statue of Antinous as Dionysus' Wearing a Wreath of Ivy - Roman Bacchus, God of the Wine, after the Greek models of the mid-4th century BC. Bust.' This monumental larger-than life bust, cast by the Parisian foundry 'J.J. DUCEL Me de FORGES, PARIS', is an exceptional example of artistic skills in copying antique forms and modernizing them by using cast-iron. Antinous was a handsome youth, a Greek from Bythinia. The favorite of the Roman Emperor Hadrian (117-138). Cast-Signed "J.J. DUCEL Me de FORGES, PARIS". Circa: Paris, 1880-1890. Ref.: A2655 - Lot 11439
A Very Fine Pair of French 19th/20th Century Neoclassical Style Patinated Cast Iron Figural Torchères by Antoine Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand. Both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm.Circa Paris, 1900. Ref.: A1397 - Lot 10723
A French 19th Century Bronze and Marble Bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Unsigned. Circa: 1890-1900. Ref.: A2628 - Lot 11421
A Very Fine and Large Museum Quality French 19th Century Versailles Figural Torchère with Two Side-by-Side Putti in Brown and Parcel-Gilt Patina Holding a Four-Light Gilt-Bronze Candelabrum with Frosted Glass Flame Shades by LACARRIÈRE DELATOUR & Cie. (The candelabrum is later). Circa: Paris, 1890. Ref.: A1580
A Fine Over-Lifesize Patinated Bronze Greco Roman Revival Style Standing Half-Figure of Andromeda, Probably French, Late 19th Century or Early 20th Century. The heavily finely cast-bronze lower female extremity with her waist wrapped with a heavy chain cast over her skirt, the two slender barefoot legs, one with a ring shackle. Stamped: 44393 AL. Artist unknown. Ref.: A2460 - Lot 11302
A Fine French 19th/20th Century Patinated Bronze Figure titled “Lutin des Bois” (Woodland Fairy or Elf) after Luca Madrassi (Italian, 1869-1914). The beautifully executed slender figure of a nude fairy, in a brown patina, wrapped with a loose scarf, standing atop a rock formation with flowers and flanked by a pair of kissing Love doves. Signed 'Madrassi – Paris’ raised on a gilt-bronze circular plinth. A bronze plaque reads "Lutin des Bois - Par Madrassi (Médaille au Salon)". Circa: Paris, 1900. Ref.: A2721 - Lot 11463
A Very Fine French 19th Century Patinated Bronze Figure of "Milo of Croton and the Lion" after the marble sculpture of Milon de Crotone by renown French sculptor Étienne Maurice Falconet (1 December 1716 – 24 January 1791) currently at the Louvre Museum in Paris, France and another example in bronze at the Hermitage Museum in Saint Petersburg, Russia. The finely executed bronze sculpture depicting the 6th-Century BC wrestler, from the Magna Graecian City of Croton, as a nude and muscular male wrestler, resting on his back, holding on to a tree trunk as he fights off an attack by a lion who is biting him on the leg, in a brown patina and raised on a green marble plinth. Incised: Falconet. Circa: Paris, 1870-1880. Ref.: A2409
A Fine and Large French 19th Century Orientalist Style Life Size Patinated and Parcel-Gilt Bronze Sculpture of "La Danse des Oeufs" (The Dance of Golden Eggs) also known as "La Danseuse Orientale" (The Orientalist Dancer) A Model by Gustave-Louis Nast (French, b.1826). The deftly executed composure and poise of a dancing semi-nude figure of a maiden with her bare upper body sinuously curving as she balances an gilt-bronze egg on each of her index fingers and one at her feet, wearing a draped skirt enlivened by the addition of gilt metal jewels which hang from the dancer's belt, wrists and ears, a protruding gilt-cast tiara atop her head. The sculpture is raised on a carved do-decagon green marble base. This model by Gustave-Louis Nast, his most successful, was first shown in plaster and later in bronze at the Paris Salon Exhibition of 1880. Nast made his debut at the Salon of 1852 and exhibited there until 1881 and this beautiful and sensual model was one of his last submissions. Circa: Paris, 1890-1900. Ref.: A2137

A Very Fine and Rare Life-Size French 19th Century Patinated Spelter Figure of a Standing Maiden Holding a Lantern, the impressive figure depicting a young scantily dressed and barefoot maiden, wearing a tight robe and French roll hairstyle, standing next to an Orientalist side-table, her right arm raised while holding a brass and colored glass lantern, cast from a model by Louis Hottot (French, 1829-1905). Signed on the circular base "Hottot". Circa: Paris, 1890-1900. Ref.: A2029

A Fine French 19th Century Polychromed Life-Size Cast-Metal Figure of a Standing Geisha, cast after a model by René Charles Massé (French, 1855-1913). The standing Japanese beauty wearing a flowing Kimono with both hands raised, holding a palm leaf as a fan and a scroll, her head tilted slightly to the side, standing on a circular faux-marble base. Signed on back: 'Ch Massé, Sculp'. Circa: Paris, 1880. Ref.: A2393
An Imposing Fine and Large French Art-Deco Spelter (Petit-bronze) Figure of a Standing Semi-Nude Orientalist Maiden in a Brown Patina, Attributed to Louis Hottot (French, 1834-1905). The smiling young topless beauty, posing with her arms outstretched, her hair wrapped with a headscarf centered with a green art-glass bead and a scantily scarf tied around her waist, standing barefoot among tropical shrubs and flowers and raised on a circular mottled green marble base. A brass plaque reads "TYPHA". Circa: Paris, 1900. Ref.: A2210
After Odoardo Tabacchi (1831-1905) A Very Fine Italian 19th Century Patinated Bronze Figure of "La Tuffolina" (The Diver). The finely cast brown patinated bronze sculpure depicting a young female diver in her swimsuit standing by a rock on the shore, her arched body leaning forward in a posture ready to dive in the water. Signed: O. Tabacchi - Torino. Circa: Torino, Italy 1880-1890. Ref.: A2631 - Lot 11426
A Fine Italian Cast 19th Century Bronze Group Titled "La Tempête" (The Tempest) Probably after Mathurin Moreau (French, 1822–1912), Cast by The Alessandro Nelli Foundry in Rome. The finely executed Classical Roman style bronze sculpture in a dark brown patina depicting a young mother running for cover carrying her young baby on her arms and her todler by her side, raised on a black-slate and Bardiglio marble base. Stamped on base "Nelli - Roma". Circa: Rome, 1900. Ref.: A2714
A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Each signed on base 'Coustou'. Circa: Paris, 1900-1920. Ref.: A2710
Eugène Delaplanche (French, 1836–1891) A Very Fine French 19th Century Brown and Parcel-Gilt Patinated Bronze Sculpture Titled "La Sécurité" (The Security - Protection) Depicting a sitting young Maiden in a gilt-decorated armored suit and helmet, a lion skin on her back, holding a resting child on her arm. Raised on Rouge-Royal marble plinth inscribed "La Sécurité - Par E. Delaplanche - Salon des Beaux-Arts de Paris". Signed: E. Delaplanche and stamped with the importer's seal - Alberto Vignes y Ca - Buenos Aires. Circa: Paris, 1890. Ref.: A1736
A Fine French Early 20th Century Patinated Bronze Group of "The Forbidden Fruits, after Jean Verschneider (French, 28 August 1872 - 20 December 1943) by the Les Neveux de Jacques Lehman Foundry in Paris. The charming Art-Deco green patinated gorup depicting a young girl pulling her Chimpanzee away from a bunch of bananas it is trying to reach. Signed: Jean Verschneider, also bearing the LNJL Paris Foundy Mark. Circa: Paris, 1910.
Ref.: A2533 - Lot 11357
A Fine and Large Italian 19th Century Greco Roman Style Brown Patinated Bronze Sculpture Group of a Two-Horse Roman Chariot and Rider in a dark patina, raised on a fitted Verde d'alp marble pedestal. Unsigned. Circa: Rome, 1880. Ref.: A1762
A Large and Impressive Continental 19th Century Patinated Bronze and Giltwood Carved Crucifix. The later giltwood carved cross frame with a monstrance sunburst, a symbol for the holy host, surmounted with a patinated bronze figure of Jesus Christ and the "INRI" bronze plaque above. Signed on the rear, but illegible. The bronze probably French, circa: 1880-1890. Ref.: A2623 - Lot 11417
A Very Fine and Large French 18th Century Portrail Relief Overlaid in Copper of Renown French Chemist ANTOINE LAVOISIER (1743-1794). Circa: 1780. Antoine-Laurent de Lavoisier (also Antoine Lavoisier after the French Revolution (26 August 1743 - 8 May 1794) was a French nobleman and chemist central to the 18th-century chemical revolution and a large influence on both the history of chemistry and the history of biology. He is widely considered in popular literature as the "father of modern chemistry". This label, however, is more a product of Lavoisier's eminent skill as a self-promoter and underplays his dependence on the instruments, experiments, and ideas of other chemists. Ref.: A2057
A Very Fine and Charming Italian 19th/20th Century Patinated Bronze Figure Titled "Il Granchio" by Annibale de Lotto (Italian, 1877-1932), depicting a young boy ispecting his foot after having stepped on a crab. Signed: DeLotta. Circa: 1900. Ref.: A2014
A Fine French 19th/20th Century Art-Nouveau Bronze Bust of "Marie Antoinette" (Queen of France 1755-1793), after the model by Agathon Léonard or Léonard Agathon van Weydevelt (1841 Lille - 1923 Paris). The beautifully and sensual bronze bust with a verde-green patina, an Art-Nouveau depiction of a young Marie Antoinette, posing with a profile gaze and curly hair tied with a bow, her dress centered with a single rose. Signed on back: A. Léonard. Circa: Paris, 1900. Ref.: A2432
A Fine Pair of French 19th/20th Century Louis XV Style Figural Gilt-Bronze Putti Torchere Table Lamps on a Rouge Royal Base. Each figure representing a seated Putto (children) holding a scrolled gilt-bronze flambeaux fitted with a frosted glass shade in the form of a burning flame, raised on a circular red marble plinth with floral ormolu decorations. Circa: Paris, 1890-1900. Ref.: A1779 - Lot 11003

A Very Fine and Larger-Than-Life and Very Realistic Museum Quality Patinated Bronze Bust of President William H. Taft (1857–1930) by Frederick Ernst Triebel (American, 1865-1944) - Cast by Nelli Foundry, Rome. William H. Taft, the 27th President of the United States and Jurist, is depicted with his renown thick mustache and wearing a bow tie, vest and coat. Inscribed on the back: F.E. Triebel. Sculp., and Fond. Nelli, Roma. Circa: First Quarter 20th Century. Ref.: A1113
A Very Fine French 19th Century Patinated Bronze Figure of the French Hero of the Algerian Conquest, Jean-Pierre Hippolyte Blandan (1819-1842) after the French Sculptor Jean Gautherin (1840-1890). The standing soldier in full military garb holding his rifle in guard ready to attack. Inscribed "Surtout, ne nous pressons pas et visons juste BLANDAN Blessé a Mort au combat de Bein Mercd en luttant avec 21H Contre 300 arabes 1849" on front base and "Jean Gautherin, Hors Concours" on right side. Circa: 1880. Ref.: A1440
Jean Barnabé Amy (French, 1839-1907) A Fine French 19th Century Dark-Brown Patinated Bronze Group Titled "Comedia Humana" (Human Comedy - Comedie Humaine) depicting a group of two young children, one smiling and the other one crying, in front of the a mask from the performing arts mask known for the theatre work of European avant-garde artists from the turn of the nineteenth century. Raised on a wooden plinth. Signed and Dated: Amy, 1877. Ref.: A2048
A Very Fine French 19th Century Patinated Bronze Group of a Native American Indian on the Lookout, in a dark brown patina and raised on a green marble base, by Edouard Drouot (French, 1859-1945), Signed: E. Drouot. Ref.: A1888

A Fine French 19th/20th Century Orientalist Silvered and Gilt Patinated Bronze Sculpture of "Rebecca" with a plaque that reads "Jeune Fille Arabe" (A Young Arab Girl - Water-Carrier) Model of Gaston Veuvenot Leroux (French, 1854-1942). The finely detailed cast figure of a young girl dressed in an Arabic tunic and carrying a jug on her head, after Rebecca at the Well. Plaque reads: "Jeune Fille Arabe - Par G. Leroux - 2e Me Au Salon" (2e Medaille Au Salon). Signed: Leroux. Circa: Paris, 1900. Ref.: A1619 - Lot 10829

Emil Wünsche (German, 1864-1938) A Large Overlaid Brass Figure Titled "JAGDHUND MIT FASAN" (A Hunting Hound-Dog with a Pheasant Prey). Signed on base E. Wünsche. Circa: 1890. Ref.: A1482
A Very Finely Chased Spanish 19th Century Patinated and Gilt-Bronze Miniature Group Figurines, Each Depicting a Standing Spanish Guard and a Standing Posing Spanish Lady, both in their 18th Century Costume and raised on a rouge marble plinth. Circa: 1880. Ref.: A1416
Eugène Blot (French, 1830-1899) "An Evening at The Opera House" A Fine and Rare French 19th Century Polychrome and Parcel-Gilt Spelter Figure of a Lady Seated Backwards on her Knees on an ornate Armchair, wearing gloves and holding a fan, her arms resting on the armchair's backrest. Signed: "BLOT E". Circa: 1880-1890. Ref.: A1492 - Lot 4364
A French 19th-20th Century Orientalist Style Cold Painted Spelter Figural Lamp-Torchere, by Barcelona born artist Pedro Ramon Rigual (1863-1917). The charming lamp sculpture depicts a middle-eastern man wearing a turban and a vibrant color stripped yellow and red robe, his left arm raised holding a torch with a frosted flame glass shade and standing on a Persian rug laid on steps. Signed: P. Rigual. Circa: 1900. Ref.: A2719 Lot 10697
After Jean Louis Grégoire (France, 1840-1890) A Charming French 19th-20th Century Patinated Spelter Figure of "The Animal Charmer", depicting a standing scantily clad young boy playing the flute or pipe, in a brown patina. Raised on a Rouge Royal marble base. Signed: L. Gregoire and bearing the foundry seal. Circa: Paris, 1900. Ref.: A2556 - Lot 11333
An Italian 19th Century Grand Tour - Greco Roman Bronze Sculpture of Narcissus, after the original sculpture excavated in 1862 at Pompeii. The green patinated bronze figure of slender standing and posing nude man wearing Roman sandals. Circa: 1870-1880. Ref.: A2377 - Lot 10547
Louis Kley (French, 1833-1911) A Fine and Charming Patinated Bronze Group of a Young Boy Climbing on a Vase Fearful of Two Mice. The finely executed bronze group depicting an naked infant boy atop of a bottle-shaped vase scared of two mischievous mice at the base trying to get to him. Raised on a square Royal Red marble base. Signed at the base: L. Kley. Circa: 1880-1890. Ref.: A2335 - Lot 6335
Cipri Adolf Bermann (German, 1862-1942) A Very Fine 19th Century Gilt-Bronze Miniature Figure of a Bacchus Herm, depicting Bacchus, also known as Dionysus, the god of the grape harvest, wine making and wine in Greek Mythology, raised on a black marble plinth. Signed: C.A. Bermann. Circa: 1890. Ref.: A2042 - Lot 11150
A Fine Bronze Bust of a man in the manner of Sir Jacob Epstein (British, 1880-1959), artist unknown. This beautifully executed green-patinated bronze somewhat resembles the style of Epstein's bust of Josef Holbrooke (1978-1958) who was an English composer and pianist. Unsigned. Circa: 20th Century. Ref.: A2101 - Lot 11236
A Fine French 19th Century Patinated Spelter Bust Figure of a Young Wearing a Head Scarf. The young lady, in a brown-copper patina, posing with a right-side gaze and wearing a beaded necklace and a flower to her cleavage. Attributed to Louis Hottot (French, 1829-1905). Unsigned. Circa: Paris, 1890-1900. Ref.: A1373 - Lot 6355
The Riace Warriors, a fine pair of cold cast copper and resin figures of the Riace Warriors, reduced replicas of the original bronze sculptures currently located at the Museo Nazionale della Magna Grecia in the southern Italian city of Reggio Calabria, Italy. The beautifully detailed replicas with a Verde-green patina and both raised on a veined black marble slate. Signed: R. Fisehey and inscribed "IMCL 1982 and 771/999". Probably Italian, late 20th century. Ref.: A2619 - Lot 11414
A Large Pair of Egyptian Revival Vintage Patinated Brass Sphinxes - Studio Props. The impressive pair of brown patinated resting sphinxes, with an unverified but intriguing provenance purportedly tracing back to the Paramount Studios prop house. Each sphinx reclines with a commanding forward gaze, embodying the mythical fusion of human and lion evoking the enduring allure of ancient Egyptian iconography, reminiscent of the Great Sphinx of Giza, Egypt. Circa: Mid to late 20th Century. Ref.: A2773 - Lot 6439


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